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Curriculum Vitae

RICHARD HUMANN

Exhibitions

Biennales

2017  The Karachi Biennale, Karachi, Pakistan
2011  Arbitat, Kaohsiung International Container Arts Festival, Kaohsiung, Taiwan
2003  The Snow Show: Venice, La Biennale di Venezia, Palazzo Zorzi, Venice, Italy

Selected Solo Exhibitions

2019  Ascension Over the High Line, High Line Nine Gallery, New York, NY
2018  The Same River Twice, White Box, New York, NY
2017  Ascension, Palazzo Bembo, European Art Centre, Venice, Italy
2016  The Same River Twice, Elga Wimmer Gallery, New York, NY
2012  Cult of Personalities, Elga Wimmer Gallery, New York, NY
2012  The Aesthetic of Lostness, Gyeonggi Creation Center, Anson, South Korea
2010  In Nomine Patris, A&AH, University of Rhode Island, Kingston, RI
2008  You Must Be This Tall, Elga Wimmer Gallery, New York, NY
2007  Revolutions, Museo Cristóbal Gabarrón, Murcia, Spain
2005  The Quiet Argument, Aine Art Museum, Tornio, Finland
2004  Broken English, Elga Wimmer Gallery, New York, NY
2004  Delicate Monster, Tampere Art Museum, Tampere, Finland
2003  Body Language, Karolyn Sherwood Gallery, Des Moines, IA
2003  A Childish Fear, Lance Fung Gallery, New York, NY
2003  Where Troubles Melt Like Lemon Drops, Kemi Museum of Art, Kemi, Finland
2001  Possessions for Judgment Day, Project Row Houses, Houston, TX
2000  Evidence of My Being, Lance Fung Gallery, New York, NY
1998  Psycho Killer, Lance Fung Gallery, New York, NY
1997  Shakespeare in Code, Ridge Gallery, New York, NY
1997  The Lightbox, Williamsburg Art & Historical Center, Williamsburg, Brooklyn
1988  Cover-Up, EV7 Gallery, Williamsburg, NY

Selected Group Exhibitions


2019  Presenze Veneziane, Archivio Emily Harvey, Venice, Italy
2019  A Few of My Favorite Things, Elga Wimmer Gallery, New York, NY
2019  Transformations, GTM Art Gallery, Great Neck, NY
2018  Art in the Flow, Hangang Art Park, Seoul, South Korea
2018  White Anxiety, White Box, New York, NY
2017  Silver Lining, Elga Wimmer Gallery, New York, NY
2017  Icons in Ash, Central Booking Gallery, New York, NY
2016  Make America Great Again, White Box, New York, NY 
2015  Augmented, Satellite, Miami, FL
2015  Mixing Medias, MANA Contemporary, Jersey City, NJ
2015  Art Taipei, Lux Art, Taipei, Taiwan (R.O.C.)
2015  Potential Fields, Clermont, Germantown, NY
2015  Finlayson Art Area, Finlayson, Tampere, Finland
2015  The Future is Here Again, AC Institute, New York, NY
2015  Flirting With Disaster, Royal Society of American Art, Brooklyn, NY
2014  Mask, Archivio Emily Harvey, Venice, Italy
2014  Reflections of Art and Literature, Rosalux Gallery, Berlin, Germany  
2013  Happy Flies Kissing Beautiful Face, Stefan Stux Gallery, New York, NY
2013  Heavy Equipment, CR10, Linlithgo, NY
2013  XXL, Elga Wimmer Gallery, New York, NY
2013  One of a Kind, AC Institute, New York, NY
2013  Residency Now, Youngeun Museum of Art, Seoul, South Korea
2012  In The Arms of The Void, Pink Gallery, Seoul, South Korea
2012  Inaugural, Ethan Pettit Contemporary Art, Brooklyn, NY
2012  Happiness Now and Here, Taewaha River Arts Festival (TEAF), Ulsan City, South Korea
2011  Pandemonium, NY Center of Photography and the Moving Image, New York, NY
2011  Williamsburg 2000, Art 101, Brooklyn, NY
2011  No Human Way to Kill, White Box, New York, NY
2011  3-Day Stand, Atelierhaus, Düsseldorf, Germany
2011  One of a Kind, Pierre Menard Gallery, Cambridge, MA
2011  Arbitat, Kaohsiung International Container Arts Festival, Kaohsiung, Taiwan
2010  Buhl Collection: Speaking With Hands, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
2010  The Billboard Project, Richmond, VA
2010  Nature of the Beast, (Curator) HP Garcia Gallery, New York, NY
2010  Project Birch Forest, The Waste Land, White Box, New York, NY
2009  Buhl Collection: Speaking With Hands, Daelim Contemporary Art Museum, Seoul, South Korea
2009  Black Madonna, HP Garcia Gallery, New York, NY
2009  Summer Exhibition, Elga Wimmer Gallery, New York, NY
2009  Rozelle-Wards, Sydney, Australia
2007  Elga Wimmer Gallery, New York, NY
2007  Digiscape: Unexplored Terrain, Pace Digital Gallery, New York, NY
2007  Transparency, Middlebury College Museum of Art, Middleburry, VT
2006  Transparency, Corridor Gallery, Reykjavik, Iceland
2005  R3: Reading, ‘Ritin ’Rithmetic, Castle Gallery, College of New Rochelle, New Rochelle, NY
2004  Black on White, Elga Wimmer Gallery, New York, NY
2004  Pierogi a Go Go, Pierogi, Williamsburg,
 Brooklyn
2004  Personal Space, Gigantic ArtSpace [GAS], New York, NY
2003  The Snow Show: Venice, La Biennale di Venezia, Palazzo Zorzi, Venice, Italy
2003  Super Depth Mapping, Union Gallery, University of Maryland, MD
2003  Summer Reading, Schroeder Romero Gallery, Williamsburg, Brooklyn
2002  New York Art, Museum of Contemporary Art, Sonoma, CA
2002  Mapping The Vicinity, Voorkamer Gallery, Lier, Belgium
2001  Ssamzie Site Specific, Ssamzie Space, Seoul, South Korea
2001  Going Home, The Hopper House Museum, Nyack, NY
2001  Crossing Parallels, Lance Fung Gallery, New York, NY
2001  32 lbs. of Head, The State of Art Gallery, Williamsburg, Brooklyn
2000  Eyewash, Liege Museum of Art, Liege, Belgium
2000  InfoZone, Bronx Museum, Bronx, New York
2000  The Last Waltz, Gallery St. Gertrud, Malmo, Sweden
2000  Art Museum of South Texas, Corpus Christi, TX
1999  The Last Waltz, Grekiskt Kulturcentrum, Stockholm, Sweden
1999  Apocalypse, Williamsburg Art & Historical Center, Williamsburg, Brooklyn
1999  Line, Lance Fung Gallery, New York, NY
1998  The Planet Art Gallery, Cape Town, South Africa
1998  Kunst+Technik, Berlin, Germany
1998  A Collection of Actions, Lance Fung Gallery, New York, NY
1998  L Gallery, Moscow, Russia
1998  5 from Williamsburg, Leo Kamen Gallery, Toronto, Canada
1998  The Concrete Signal, York College Galleries, York, PA
1998  Contemporary New York Art, Eleven East Ashland, Phoenix, AZ
1997  New York Exchange, Eklektikos Gallery, Washington D.C.
1997  New York Drawers, Gasworks Gallery, London, England—Pierogi flat files
1997  New York Drawers, Cornerhouse, Manchester, England— Pierogi flat files
1996  Pierogi, Williamsburg, Brooklyn—Work submitted to flat files

1988  Three Doors, DIA Art Foundation, New York, NY

Bibliography


Publications

“Maintenant 11: A Journal of Contemporary Dada Writing & Art”, Three Rooms Press, New York, NY, 2017, p. 2

“Personal Structures: Open Borders: Venice 2017”, Catalogue, European Cultural Centre, Venice, Italy, 2017, p. 543

De Grandis, Paolo; Scarpa, Carlotta: “OPEN20”, Catalogue, Venice, Italy, 2017, p. 132-133

“Art Taipei 2015”, Catalogue, Taipei, Taiwan, 2015, p. 110

GCC “Gyeonggi Creation Center Residency”, Catalogue, Gyeonggi Creation Center, Anson, South Korea, 2012

Vai Man, Tam; Barthelemy, Arnaud, Buhl, Henry; Seng, Chan Hou; Wimmer, Elga; Blessing, Jennifer; Chiao, Weng: “Speaking with Hands: Photographs and Sculptures from the Buhl Collection”, Catalogue, Macau Museum of Art, Republic of China, 2011, p. 192-193

Pei-ni Hsieh, Beatrice; Chu, Chen; Che, Shih; Stanton, William: “Arbitat 2011”, Catalogue, Kaohsiung Museum of Fine Art, Taiwan R.O.C., 2011

Pei-ni Hsieh, Beatrice; Wimmer, Elga; Blessing, Jennifer: “Speaking with Hands: Photographs and Sculptures from the Buhl Collection”, Catalogue, Kaohsiung Museum of Fine Art, Taiwan R.O.C., 2009-2010, p. 149

Conner, Jill: “Digiscape: Unexplored Terrain”, Catalogue, Pace Digital Gallery, NYC, 2007

Gallen-Kallela-Sirén, Janne; Rauhala, Osmo; Cohen, Mark Daniel: “Delicate Monster”, Catalogue, Tampere Art Museum, Tampere, Finland, 2004

Humann, Richard; Lynn, Greg: “The Snow Show: Venice, ‘Ice Scraper’”, La Biennale di Venezia, Palazzo Zorzi, Venice, Italy, 2003, p. 40-43

Simon, Alicia: “Re-Site: Super Depth Mapping”, Catalogue, Union Gallery, MD, 2003

Nyrhinen, Tiina: “Over the Aurora”, Catalogue, Where Troubles Melt Like Lemon Drops, Kemi Art Museum, Finland, 2003

Hong-hee, Kim: “Crossing Parallels Between Korean and American Artists”, Catalogue, Ssamzie Space, 2001

Jacobs, Joseph: “Going Home to Hopper”, Catalogue, Going Home, Hopper House Art Center, 2001

Cohen, Mark Daniel, “The Ardency of Codes in the Art of Richard Humann”, Catalogue, Lance Fung Gallery, New York, NY, 1999

Humann, Richard; Schicker, Eva; Pettit, Ethan: “Art in the Urban Matrix”, F.F.A. Gallery, Brooklyn, NY, 1989

Periodicals

Lewis, Jason Clay: “Richard Humann Interview”, The Royal List, January 20, 2020

Kumar Das, Siba: “A Few of My Favorite Things: An Eclectic Show”, d’Art Magazine, January 19, 2020

Nelson, Kristen: “Impossible Experiences: Experiments in Augmented Reality”, TIDE, January, 2020

Loos, Ted: “A Walk on the Frontier of Art”, The New York Times, November 27, 2019

Arts Summary, “Richard Humann: Ascension at High Line Nine”, October 5, 2019

Vandergriff, Ryan: “Lyricist, Poet and Artist Richard Humann Talks About the Many Different Hats He Wears and Why Art Can [and Should] Change the World”, Vents Magazine, December 11, 2019

Gannon, Devin: “New Virtual Art Exhibition at High Line Nine Highlights Multiple Artists at Once”, 6sqft., October 1, 2019

“Experience VR, AR and Digital Art in NYC”, Time Out New York, October 29, 2019

Geroimenko, Vladimir: “Augmented Reality Art: From Emerging Technology to a Novel Creative Medium”, Springer, 2018, p. 150

Frishberg, Hannah: “Artist Richard Humann on An Evolving Neighborhood”, Greenpointers, March 22, 2018

Christophers, Nick: “The Artwork of Richard Humann”, RG Magazine, January 9, 2018

Ashiqeen, Jamal: “Richard Humann” Newsline Magazine, November 4, 2017

Ali Khurshid: “Richard Humann: A Tide of Credence”, Universe in Universe; Biennials, Karachi Biennale 2017

Ebony, David: “Viva Art and Artists: The 2017 Venice Biennale Calls for Celebration, But is this a Time to Party?” Yale Books Unbound, July 20, 2017

“Augmented Reality Art Installation Debuts at the Venice Biennale”, Business of Home, May 15, 2017

Blue, China: “Richard Humann’s ‘Ascension’ Premiers During the Venice Biennale”, Entanglement Magazine, May 30, 2017

Christophers, Nick: “Brooklyn and Beyond: The Art of Richard Humann”, Full Access New York, December 3, 2016

Truong, Vandal: “Richard Humann – Portrait of an Artist as a New Yorker”, Vandaltruaong.com

“Richard Humann and Triny Prada: From Water to Light”, NY Art Beat, February, 2016

Blue, China: “Nature and Art and the Nature of Language”, Entanglement Magazine, July 15, 2015

Blue, China: “Art, Science, Technology, and Poetry”, Entanglement Magazine, September 11, 2015

Friswell, Richard: “Richard Humann’s The Same River Twice”, Artes Magazine, March 17, 2014

Beckenstein, Joyce: “One of a Kind: Unique Artist’s Books”, Sculpture, Vol. 32, No. 10, December 2013. p. 75-76

Blue, China. “Richard Humann’s ‘Same River Twice’: A Study in Accidental Fractals”. Entanglement Magazine. December 18, 2013.

Wang, In ja: “In the Arms of the Void”, Culture Ocean, 01-02, p. 96, 97;

Blue, China: “The Leg Bone’s Connected to the iPhone” by Richard Humann”, Entanglement Magazine, December 23, 2012

Schultz, Charles: “Inaugural Show”, The Brooklyn Rail, July/August, 2012

Rothbart, Daniel: “Interview with Richard Humann”, Artery NYC, December 6, 2011

Blue, China: “Silently For Me”, 
 Entanglement Magazine, December 5, 2011

Blue, China: “From Picasso to Koons: The Artist as Jeweler. Entanglement Magazine”’ November 15, 2011

Strietfeld, L.P.: “Evidence of Being. A Conversation with Richard Humann”, Sculpture, Vol. 28, No. 6, July/August 2009, p. 58-63

Wiener, Mark: “You Must Be This Tall”, Resolve 40, November, 2008

Guardiola, Ana: “De la caverna a la bodega”, La Opinión, Back cover, November 23, 2007

Sáez, Mar: “Las evoluciones del arte que generan revoluciones”, La Razón. November 23, 2007, p. 40

García, Pepa: “Revolutions’, vuelta a las cavernas”, La Verdad, November 23, 2007, p. 62

Sullivan, R: “Little but Loud”, American Craft, 67, 5, October/November, 2007, p. 90-99

Humann, Richard. “The Pledge”, Daily Constitutional, Issue 4, Summer 2007, p. 24-29

Greaney, Thomas: “Thanks to Insomnia, New Inspiration!”, Counselor, August 2006, Vol. 7, p. 58-59

Arffman, Jari: “Art is not a Crisis Aide”, Taide, April 2005, p. 47

Sarrala, Hannu: “Talking Hands and Crossing the Bridge”, Haaparannanlehti, February 3, 2005

Sarrala, Hannu: “Talking Hands and Crossing the Bridge”, Puhjolan Sanomat, February 3, 2005

Kapraali, Riitta: “Angry Hands and in the Borderline of Two Cultures”, Haaparannanlehti, February 4, 2005

Kapraali, Riitta: “Angry Hands and in the Borderline of Two Cultures”, Haparandabladet, February 8, 2005, p. 20

Hyvärinen, Marja-Leena: “The Close Spaces of Silence Appear, Are Seen, Are Visible”, Puhjolan Sanomat, February 25, 2005

Moynihan, Megan: “Viewing Space in a Personal Realm”, The Tribeca Trib, Vol. X, No. 11, July/August 2004, p. 39

Wagner, Andrew: “Photo Finish”, Blueprint, No. 216, February 2004, p. 66-69

“In the Modern World”, Dwell, March 2004, p. 34

Lit 8, Cover, Winter 2004

Strietfeld, L.P: “Richard Humann / Lance Fung Gallery”, Sculpture, Vol. 23, No. 2, March 2004, p. 74

32 Lbs. of Head, “Second Poem”, The Brooklyn Rail, March 2004, p. 25

M-1000: “Mapping Movements”, NYArts Magazine, Vol. 9, No. 5/6, May 2004, p. 35

Gebhardt, Sara: “Avant-Garde ‘Mapping’ of Campus”, The Washington Post, Thursday, October 23, 2003, p. 31

Larson, J.D.: “How to Reconsider Familiar Things”, City View, Wednesday, October 1, 2003

Pierre, Amanda: “Gallery to Showcase Video and Conceptual Artist”, Des Moines Sunday Register, Sunday, September 14, 2003, p. 4 OP

Sarrala, Hannu: “The Stars of Art at the Gulf of Bothnia”, Pohjolan Sanomat, January 15, 2003, p. 1

Sarrala, Hannu: “Art Polaris presents Top Artists”, Pohjolan Sanomat, January 15, 2003, p. 11

Knihtila, Jouni: “Art Polaris Presents the Stars of Art in Lapland”, Kaleva, January 26, 2003, p. 15

“Kemi, Media Art from New York”, PetoLista, Peto, January 23, 2003, p. 6

Hyvarinen, Marja-Leena: “Optical Dreams”, Pohjolan Sanomat, February 3, 2003, p. 10

Jokelainen, Timo: “Contemporary Art from New York”, Kaleva, February 12, 2003

Cohen, Terri: “Nature/Manmade: The New York Experience”, artMuse, November, 2002, p. 4

Cuzner, Carol I: “What is Contemporary Art?”, artMuse, November, 2002, p. 1

Bass, Debra D: “Exhibit of New York Artists Explores City’s Influence”, The Press Democrat, Friday, November 8, 2002, p. D1

“Mapping The Vicinity”, De Morgen Onafhankelijk Dagblad, Saturday, May 18, 2002

Nii, Yuko: “The Scene—Williamsburg, Brooklyn”, NYArts Magazine, Vol. 7, No. 3, March 2002, p. 12

Lindall, Terrance: “The Epistemological Movement in Late 20th Century Art: The Williamsburg Circle”, NYArts Magazine, Vol. 7, No. 2, February 2002, p. 62-63
N., P.: “The Freight Elevator Project”, Temma Celest, November-December, 2001, p. 103

Strietfeld, L.P: “Going Home to Hopper”, The Advocate/Greenwich Time, Sunday, August 12, 2000, Arts, D3

Shin Moon: “Exchange of Korean & American Artists Working with New Aesthetics of Space”, Han Kyu Rae Newspaper, July 12, 2001, p. 27

Hanguk Ilbo (The Korea Times – NY), “2001 Seoul / NY Artists Exchange Exhibition: Starting on the 8th at the Lance Fung Gallery”, August 1, 2001

MiJin, Kim: “Shared Visual ‘Communications’ between Seoul and New York: Ssamzie Site Specific” Crossing Parallels Exhibition, 7.18–8.19 at Ssamzie Space, 8.8 – 31 at New York Lance Fung Gallery, September Issue, p 152-3

ChanDong, Kim: “Korea and America, Meeting at the point of Difference: Ssamzie Site Specific 7.18 – 8.19 at Ssamzie Space”, Art in Culture, Korean Cultural Center’s Art Literature, September 2001, p. 123

NamJoo, Ha: “A Unique Experiment of ‘Specific Space Aesthetics’ by Korean and American Artists: An Unusual Exhibition at Ssamzie Space of Paired Art Making Completion in Seoul”, August 2, 2001, p. 66-7

“Korean-American Artists Exchange Exhibition”, HanGuk KyongJae (Korea Economy), Culture Section, July 9, 2001, p. 43

Kyun, HwaeSook: “2001 Seoul/NY Exchange Exhibition”, Vogue Majeste, p. 112

Journalist Community Section: “Korean-American Artists, Working in Collaboration for an Exhibition in Seoul and New York”, Cyber World Daily News, July 14, 2001

“Korean-American Artists Making
 Collaborative Artwork: Ssamzie Space Introducing Seven Teams of Seoul-NY Exchange Exhibition”, MoonHwa Ilbo (Cultural Daily News), July 27, 2001, No.2978, p. 22

YongJun, Lee: “Where and What Will Occur When Korean and American Artists Meet”, KyungHang Ilbo (KyungHang News Paper), July 24, 2001, p. 20

“Ssamzie Space, Seoul – NY Artists Exchange Exhibition”, DongAh Ilbo (DongAh Daily News), July 25, 2001, No. 24885, p. C6

HanSu, Kim: “14 Korean and American Artists… Similar yet Different with the ‘Seoul Feeling’: Ssamzie Site Specific Exhibition, Till August 19th at Samzie Space”, ChoSun Ilbo (ChoSun Daily News), Arts Section, No. 25061, p. 34

Do Young Nam, “Exhibition of Attention: Site Specific: Crossing Parallels – When Seoul and New York Artists Meet”, KookMin Ilbo, July 13, 2001, No. 3857

“Interview with 32 lbs. of Head”, NYArts Magazine, Vol. 6, No. 6, June 2001, p. 73

“Heads Up at the State of Art”, The Greenpoint Gazette, Vol. 29, No. 20, May 16, 2001 – May 23, 2001, p. 1, p. 19

Kratzer, Emily: “In the City”, The Journal News, April 26, 2001, p. 20G

Valdez, Sara: “Richard Humann at Lance Fung” Art in America, June 2000, p. 129-130

Klaasmeyer, Kelly: “Blue Mood”, The Houston Press, May 31-June 6, 2001, p. 62

Nicholson, Stuart: “Beyond the Me Generation: Evidence of My Being”, Zingmagazine, Issue 14, Winter 2001, p. 222-223

Cotter, Holland: “Richard Humann at Lance Fung Gallery”, The New York Times, December 1, 2000, p. E37

Levin, Kim: “Richard Humann”, The Village Voice, Vol. XLV, No. 47,
 November 28, 2000

Neuman, Elizabeth: “Richard Humann’s ‘Evidence of My Being’ at Lance Fung Gallery”, NYArts Magazine, November 2000, Vol. 5, No. 11, p 63

Viveros-Faune, Christian: “The Crest Hardware Show”, The New Yorker, November 15, 1999

Levin, Kim: “A Collection of Actions–Psycho Killer at Lance Fung”, The Village Voice, August 18, 1998

Myers, Melissa Polites: “Artist Uses Morse Code to Convey Words, Music”, The Journal News, August 22, 1998

Myers, Melissa Polites: “Artist Translates Literature into a Visual Experience”, The Journal News, July 19, 1998, 5C

“A Collection of Actions”, ArtsWire, Current, July 14, 1998

Kort, Bill: “Five Artists from Williamsburg”, ArtReview, Issue 3, June 1998

“5 from Williamsburg”, The Greenpoint Gazette, Vol. 26, No.18, May 6, 1998, p. 1

Davis, Tim: “Exporting Williamsburgs’ Cool”, Brooklyn Bridge Magazine, May, 1998, p 39

Carrvahlo, Denise: “Lower East Side”, Cover Magazine, Vol. 12, #2, May/June, 1998, p. 44-45

Hamburger, Susan: “Drawings”, Waterfront Week, Vol. 8.6, March 26-April 8, 1998, p. 17

Reizer, Arthur: “The Lightbox’ an Art Installation by Richard Humann”, The Greenpoint Gazette, Vol. 25, No. 45, November 5, 1997, p. 3

Seeber, Michael: “Showing a Side of Slides Seldom Seen”, Brooklyn Bridge Magazine, November 1997, p. 32-33

Samuels, Renee: “What’s the big idea?”, The Woodstock Times, Vol. 26, No. 1, January 2, 1997, p. 19

Artburger: “X Marks an Alternative Spot”, Waterfront Week, Vol. 6.23, November 21 – December 4, 1996, p. 10

Bennett, Diane, Wong, Miranda: “Humann’s Beings”, Today’s Living Hong Kong, No. 89, December 1994, p. 46-51

Gould, Genia: “Art and the Humann Matrix”, Greenline, July 1989

Krinein, Joseph: “Cover-Up at E-V 7”, The Phoenix, November 1986

Residencies

2014  The Emily Harvey Foundation, Venice, Italy
2012  Gyeonggi Creation Center, Anson, South Korea
2011  Yaddo, Saratoga Springs, NY
2006  Himmelblau, Tampere, Finland
2001  Ssamzie Space, Seoul, South Korea

Grants

The Pollock-Krasner Foundation
New York State Council on the Arts
Brooklyn Arts Council

Selected Collections


The Nokia Collection
The Buhl Collection
Kemi Art Museum
Tampere Art Museum
The Karina Jakobi Collection
Sara Hildén Art Museum
Lux Art
 Collection
Gyeonggi Creation Center
Ssamzie Space
Emily Harvey Foundation
Museum of Contemporary Art
The Moen Collection
Collection of David Byrne
The Sackner Collection


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